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PRESS AND REVIEWS
The Herald (Rock Hill, SC)
Friday, Jun. 05, 2009
Debbie Jet Jennings
Ready, set, let's go to a “straight up rock show” with
Blanco Diablo on Saturday night at Amos' Southend in Charlotte. Watch
out, there's gonna be a “golden god” groove rampant with
the roar of incendiary guitar.
Indelibly influenced by heyday rockers from Thin Lizzy, Black Sabbath
and T. Rex to The Beatles, Jimi Hendrix and The Who, Blanco Diablo includes
Jamie Ray, guitar/vocals; Patrick Jason, bass/backing vocals; and Brad
Snipes, drums/backing vocals. Together they are gearing up for a summer
UK tour. “Fans there are salivating for American rock bands with
a sound that is guitar-oriented,” Ray said. “They're nostalgic
for that original rock sound.” The group has made about a half
dozen UK tours. We keep returning and keep building on the following
there and the support.”
“We want to make this our biggest show yet, headlining at the
venue that's been our home base for the last three or four years,”
Ray continued, regarding the Amos' Southend show. “It's a kick-off
show before we leave for the UK and a good opportunity to promote the
rock community, to build on the support.”
Blanco Diablo brings along Steel Standing and 6 Second Silence Amos'
Southend, 1423 S. Tryon St., Charlotte, on Saturday. Call the club at
704-377-6874 or go to amossouthend.com. For band details, visit blancodiablomusic.com
or myspace.com/blancodiablo.
Rock-is-life.com (May 2009)
BLANCO DIABLO
Killing Kings
Kingsdown Records 2009
www.blancodiablomusic.com
Genre
Hard rock / modern rock
The Good
"One Way Ride" recalls the decade of decadence with catchy
riffs and lyrics and its overall 'love huts so good' attitude. Meaty
riffage runs ruff-shot over "Best of Me." "Shake the
Devil" is dominated by chugga-chugga guitars and high-pitched,
but smooth vocals. The track is easily a concert anthem for sure. Despite
the title suggesting a possible power ballad, "Last Goodbye"
is a big f**k you to the end of a hostile relationship. The album's
title track "Killing Kings" is lead by a chunky bass line
that really makes the track thump. "It's Not Love" has a great
cross-over appeal to it. The vocals are melodic, the riffs are hypnotic,
and there's just enough rock punch to it.
The Bad
Nothing notable
The Verdict
I had my doubts going into this album, as a former writer crapped over
Blanco Diablo's last album (and gave a plug to Firehouse for some reason).
I pleased to say that the group shattered any pre-conceived notions
I had about them. Killing Kings is perfect representation of rock music
in the modern era. Blanco Diablo's latest can't be easily written off
as some kind of niche music or flavor of the week. On Killing Kings
the group does deliver a classic rock meets pop-metal sound that plays
to your earlier rock tastes, but also throws in elements of what's big
on mainstream radio today. Very impressive indeed.
Rating: 4.5 out of 5
--George Dionne

From Classic Rock Magazine (March
2009 issue 129)
* Article on the band and track "Best
of Me" inlcuded on compilation disc
It's pretty simple. really. Blanco Diablo are long haired, loose limbed
dudes from Carolina. They play raunchy rock'n'roll, drink cheap raunchy
beer, and...well, their choice of women is their business, but they're
most probably raunchy.
** Paper Poison Revolution Press below **
From Creative Loafing (5/24/06)
Charlotte, NC
Blanco Diablo
Paper Poison Revolution
These Charlotte-area rockers open each track with a blistering riff.
But
there's also some nice interplay going on here that's part-Prong and
part-Faster Pussycat. The pared-down attack of guitars, bass and drums
sounds bigger than the three-piece combo. The whole record rolls along
full-steam ahead, slowing only on the last track, the epic "Stop the
Bleeding," which starts out as a ballad and then booms. (Samir Shukla)
// ------------------------------
From Creative Loafing - Charlotte, NC
Blanco Diablo CD Release
by Schacht (4/28/2006)
The Charlotte trio – Jamie Ray (guitar, vox), Patrick Jason (bass,
vox)
and Jeff Nunnery (drums) -- celebrates the release of Paper Poison
Revolution. The record is a finely tuned mix of latter-day Soundgarden
and early Sabbath-riffage with a southern twist; metal and grunge
filtered through Lynyrd Skynyrd’s deep- fried memory. Ray’s speed runs
are tempered by a grasp of the blues, raising Blanco Diablo’s songs
above the throng. A strong debut that bodes well for their future.
// ------------------------------
Wednesday, May 24, 2006
Blanco Diablo releases 'Revolution'
Night Sounds - April 28, 2006
By Debby Jet Jennings
The Herald (Rock Hill, SC)
Within a week, Blanco Diablo has gone from dazzling a crowd, as guest
opener for Firehouse last weekend, to hosting its CD release party tonight
at Charlotte's Double Door Inn, 218 E. Independence Blvd.
The group's debut CD, "Paper Poison Revolution," is a 12-song riffing
revolution released Tuesday through Rock Ridge Music.
The band, which is based in Charlotte, features Rock Hill's Jamie Ray
on guitar and vocals; Patrick Jason on bass and vocals; and Jeff Nunnery
on drums. Ray said the band and CD launch are part of an ambitious plan
set in motion early in his life.
"Playing guitar has always been important to me, especially all those
years studying, practicing, even falling asleep with the guitar in my
hands," Ray said. "Likewise, songwriting is important. There's strength
in songs. They explore the path I've taken."
That path is edgy, fierce melodic rock and roll, with a sassy Southern
stance. The band's marketing targets an audience across the Carolinas,
Georgia and Tennessee, hoping to ignite a fervent word-of-mouth following.
"This is a band that stands up for rock and roll," Ray said. "We champion
that sound and attitude in a current-day climate that doesn't necessarily
advocate or support straight-forward rock."
He describes the sound of Blanco Diablo as the "guitar-based, guitar-driven,
in-your-face rock and roll" that he grew up listening to. He lists influences
as Mark Bolin in T Rex, Thin Lizzy, John Sykes, Robert Johnson, Ted
Nugent and "anybody with that rock 'n' roll blues edge."
"Paper Poison Revolution" takes its name from the title track that
"speaks to the evils of money. It's anti-greed," Ray said.
"I enjoy being a good observer, as a writer and performer, sharing
observations and insight," he said. "So, there's that ideal of rock
and roll, and how the evils of money can corrupt."
For details, call the club at (704) 376-1446. To get more on the band,
go to www.blancodiablomusic.com and www.myspace.com/ blancodiablo. The
band also performs at 5 p.m. Saturday at Charlotte's Manifest Discs
& Tapes, 6239 South Blvd. For details, call (704) 552-8448.
// ------------------------------
From Charleston City Paper (4/26/06)
Charleston, SC
ROCK | Blanco Diablo
Wow. Devoid of any production tricks, unnecessary frill or fuss,
Charlotte-based power trio Blanco Diablo rock and rock damn hard. Lead
singer and guitarist Jamie Ray, drummer Jeff Nunnery, and bassist
Patrick Jason have kept busy touring the South this spring in support
of
a solid, brand-new debut album titled Paper Poison Revolution (Rock
Ridge Music), a riff-riot, 12-song collection that lumbers and stomps
at
just the right pace (think Urge Overkill meets Sabbath and AC/DC's Young
brothers at Billy Gibbons' Texas ranch). An amusing statement from their
press kit: "They've got the sound, the look, the feel, gender appeal,
ethnic appeal, curb appeal, excitement, apple pie, and even
melancholy... hell, even your momma will think Blanco Diablo's music
is
so good that it's simply an affront to God." A serious statement from
frontman Ray: "We don't adhere to any formulas. We trust our instincts
and we take pride in cutting our own musical path." Local rock quartet
Broadside singer John Prevost, guitarist Tim Ward, bassist Billy
Sandler, and drummer Corey Limehouse celebrated the release of their
self-titled debut EP last month. Yow.
T. Ballard Lesemann
// ------------------------------
Album review from the June issue of Amps 11
magazine (Charlotte, NC)
Blanco Diablo
“Paper Poison Revolution”
by Kelly Morse
In keeping with the spirit of our best-of-summer issue, let me say
that Blanco Diablo’s new record reminds me of the summer of 1988. That
summer, between my junior and senior years of high school, my record
and cassette (remember those?) collection was filled with punk, “college”
music, and Pink Floyd. Hey, the Floyd went well with my bong. But the
radio that accompanied my life away from home was another experience
entirely. That summer had two basic things happening on the radio: good-time
rap (Funky Cold Medina) and good-time rock (Pour Some Sugar on Me).
Blanco Diablo is unapologetically, a hard rock band. Elements of FM
radio stalwarts like Bad Co. and Deep Purple rub shoulders with full-on
hair metal moments along the lines of Cinderella or Bon Jovi on “Paper
Poison Revolution”. You just don’t hear anything like this anymore.
This isn’t some obscure metal sub-genre from Finland. This is old-school
hard rock that could only grow in America. It’s got your fist-pumping
rhythms laid down by Jeff Nunnery on drums and Patrick Jason on bass.
It’s got riffs that make you want to make the devil horns and maybe
even bang your head for a second. Author’s note: No one old enough to
remember the summer of ’88 should bang his or her head for more than
a second. You’ll hurt your neck. These guys have serious chops and aren’t
afraid to make the big gesture instrumentally. Singer/Guitarist, Jamie
Ray, adorns each song with a blistering solo, employing the entire bag
of tricks, including whammy-bar acrobatics, two hand tapping, and even
that thing where you scrape the pick along the strings. The songs are
straight forward, lyrically. In the hair metal tradition, it includes
the requisite sexual come-on song with the Hagar-like subtlety of lines
like, “I can’t get enough. You’ve got to give until it feels good.”
They’ve got your highway ramblin’. They’ve got the baby back home. They
mention hell-hounds. They mention rolling stones. While some of the
songs sound informed by early ‘90s grunge a la Alice in Chains or Candlebox,
Ray mercifully sings in his own voice and doesn’t do that post-Eddie
Vedder impression of Fozzi Bear crossed with Scott Weiland that so many
hard rock bands feel compelled to ape these days. It’s refreshing to
hear a band play the stuff they like to hear and not worry about what’s
gonna look cool or what cliques are going to say. Clearly, these guys
made the record they always wanted to. Like the summer of 1988, Blanco
Diablo doesn’t make you think too hard but shows you a real good time.
They’ll be at The Visulite on June 3rd for Carmona’s “Rock Circus” party.
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